Naniwa erejî (Kenji Mizoguchi - 1936)

We follow
young Ayako into prostitution to save his father and help to her brother, but ingratitude
is once again the reward. In the end she’s cast out of the family nest and she’s
all alone in the dark. Given the surprisingly
“modern tone” and feministic approach one cannot but think that her newfound
wisdom derived from her “glimpse behind the curtain” will make her stronger and
able to choose her own path.
No comments:
Post a Comment